Capacity is our strength
Recording:
512 CHANNELS 48K/24BIT
256 Channels 96k/24bit
128 Channels 192k/24bit
64 Channels DSD and DXD Recording
Master and broadcast delivery available in Stereo, 5.1, ATMOS and anything in between.
We interface anywhere,
with anyone
DANTE INTERFACE AVAILABLE for large-scale FOH tie-ins
Headphone/cue system for monitoring and overdubs
ANY CABLING CONFIGURATION FOR STUDIO WORK
Portable acoustics and isolation
Thrive with live music and filmed performances
visually sensitive microphone technology by Schoeps, DPA and Neumann set us apart on stage and film.
We provide hung microphone systems for concert halls, stadiums, theaters, churches and auditoriums.
Recording for Discerning Musicians
and Critical Audiophiles
acoustic music is performed in acoustic spaces,
and we believe that the truest, purest and
most powerful music reproduction is made by
using a thoroughly vetted acoustic venue,
carefully chosen and placed microphones,
and a well considered signal path.
We monitor carefully through B&W loudspeakers and Sennheiser or Sony headphones
We use the best microphones from Schoeps, DPA, Sennheiser, Neumann and Sanken
We use microphone preamps and converters to suite the purpose: Millenia, API, Merging Technologies, Hardy, Grace, AEA, Lindell or Neve.
Venue Scouting and Tuning
the only way to make a high quality recording in a remote acoustic location is to know it in advance and study it.
we scout venues weeks or months ahead to evaluate the acoustic signature, ambient noise levels and general vibe.
the requirements for acoustic location recording, especially the sheer quietness, are unusual requirements for a venue, and are foreign to most facilities managers.
we take very seriously the job of priming our record location with the ideal recording chemistry.
Sound Recording Team
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