Immersive Music Project

High-Capacity Location Recording

the studio comes to you, music

DSD and DXD Recording, Up to 64 Channels

PCM Recording: 

  • Up to 128 Channels 192k/24bit

  • Up to 256 Channels 96k/24bit

Headphone/cue system for monitoring and overdubs

Portable tracking acoustics and isolation

Hung microphone rigging systems for:

  • concert halls

  • theaters

  • churches

  • auditoriums

discrete recording of visually sensitive performances.

XcA0qFI8PwUt9-ueiKxXQPeY4x_MgFuSSLI1Awcbs3E dim.jpg

Recording for Discerning Musicians
and Critical Audiophiles

acoustic music is performed in acoustic spaces,

and we believe that the truest, purest and

most powerful music reproduction is made by

using a thoroughly vetted acoustic venue, 

 carefully chosen and placed microphones,

and a well considered signal path.

We monitor carefully through B&W loudspeakers and Sennheiser or Sony headphones

We use the best condenser and tube microphones from Schoeps, DPA, Sennheiser, Neumann and Sanken

 

We use microphone preamps and converters to suite the purpose: Millenia, API, Merging Technologies, Hardy, Grace, AEA, Lindell or Neve.

JVGZ6FHnm5Sc4vREBn1DxsEaCG0sNPhMS-je91ofhaU tweak DIM.jpg

Venue Scouting and Tuning

the only way to make a high quality recording in a remote acoustic location is to know it in advance and study it.

we scout venues weeks or months ahead to evaluate the acoustic signature, ambient noise levels and general vibe.

 

 

the requirements for acoustic location recording, especially the sheer quietness, are unusual requirements for a venue, and are foreign to most facilities managers. 

we take very seriously the job of priming our record location with the ideal recording chemistry.

Andrej Grilc-9142 dim.jpg

Sound Recording Team